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The Rubric Bank — with all five levels
234 written Arabic criteria, each with five anchors describing exactly what separates one level from the next. These are the same criteria your work is measured against — open to read before you pay anything.
Having your own work read against one criterion (optional):
Price: 7 SAR · Included in Pro & Artist Plus · First one free — Pricing details
154 criteria
Using editing to serve the image without excess that ruins its authenticity
The five levels →Building a figurative meaning linking the image to an idea beyond its frame
The five levels →Reading where light comes from (front/side/back/top) and its quality (hard vs soft), and using it to build volume and mood.
The five levels →The relationship between the lit and shadowed sides of the subject, using contrast to separate it and build mood.
The five levels →Capturing the instant where elements and motion intersect to make a relationship and meaning that won't recur.
The five levels →Using colour treatment (temperature, saturation, curve) with intent that serves the image's mood and honesty, not mere effect.
The five levels →Distributing visual weight (mass, colour, contrast) across the frame so it rests or tenses by intent.
The five levels →An idea that leads the image and precedes the shot, going beyond documentation to say something about the world.
The five levels →Using scene elements (doors, windows, arches, shadows) to frame the subject, focus the gaze, and build depth layers.
The five levels →Building story according to: setup, confrontation, resolution
The five levels →Building main character with motivations, problems, and transformation
The five levels →Creating anticipation making reader want to know what happens
The five levels →Dialogue revealing characters and advancing story simultaneously
The five levels →Goal main character pursues must be specific and clear
The five levels →Building external and internal conflicts that intertwine to enrich the drama
The five levels →Conveying the real meaning beneath the surface of dialogue and action
The five levels →Entering a scene late, leaving early, and cutting whatever doesn't serve
The five levels →Moments that shift the story's course and raise its stakes irreversibly
The five levels →The central idea echoing beneath the story's events and granting it unity
The five levels →Controlling the speed of event progression to serve tension and respite
The five levels →Progressively raising what the hero stands to lose to deepen reader investment
The five levels →Planting early details that pay off later satisfyingly and logically
The five levels →Revealing state and meaning through action and detail rather than direct telling
The five levels →The ending's ability to close the story and leave a lasting impression
The five levels →