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The Rubric Bank — with all five levels
234 written Arabic criteria, each with five anchors describing exactly what separates one level from the next. These are the same criteria your work is measured against — open to read before you pay anything.
Having your own work read against one criterion (optional):
Price: 7 SAR · Included in Pro & Artist Plus · First one free — Pricing details
83 criteria
Clear gradation of size, weight, and spacing across three or more text levels (heading, subheading, body, caption) reflecting each level's relative importance.
The five levels →Guiding the viewer's gaze along a defined path (entry point, then secondary content, then call to action) using size, contrast, and position together.
The five levels →The icon's shape stays legible and meaningful when scaled down to actual usage size, with unified stroke weight and grid alignment across the set.
The five levels →Reorganizing elements across different screen sizes while preserving content priority, without loss, crowding, or visual breakage.
The five levels →Sound cleanliness from noise and interruption, and recording technical quality
The five levels →Constructing performance with cohesive structure: intro, development, climax, outro
The five levels →Mastering advanced instrument or voice techniques and using them expressively
The five levels →Choosing what enters the frame and what's excluded, and distributing elements
The five levels →Controlling the zone of focus and blur to isolate the subject or tie it to its surroundings
The five levels →Using lines within the scene to lead the viewer's eye toward the subject
The five levels →Distributing visual weight (mass, colour, contrast) across the frame so it rests or tenses by intent.
The five levels →Using scene elements (doors, windows, arches, shadows) to frame the subject, focus the gaze, and build depth layers.
The five levels →Deliberate control of aperture and focus distance to isolate the subject from its background or root it in context, serving the concept rather than accident.
The five levels →Using real lines within the scene — a road, a railing, a fence, a shadow — to steer the viewer's eye toward the main point of interest.
The five levels →Building the frame from multiple cooperating layers — a foreground element, a midground subject, and a background — to create depth and layered narrative rather than a single flat plane.
The five levels →Building story according to: setup, confrontation, resolution
The five levels →Creating anticipation making reader want to know what happens
The five levels →Goal main character pursues must be specific and clear
The five levels →Building external and internal conflicts that intertwine to enrich the drama
The five levels →Entering a scene late, leaving early, and cutting whatever doesn't serve
The five levels →Moments that shift the story's course and raise its stakes irreversibly
The five levels →Controlling the speed of event progression to serve tension and respite
The five levels →Progressively raising what the hero stands to lose to deepen reader investment
The five levels →Planting early details that pay off later satisfyingly and logically
The five levels →