Public · no account
The Rubric Bank — with all five levels
234 written Arabic criteria, each with five anchors describing exactly what separates one level from the next. These are the same criteria your work is measured against — open to read before you pay anything.
Having your own work read against one criterion (optional):
Price: 7 SAR · Included in Pro & Artist Plus · First one free — Pricing details
25 criteria
Guiding viewer's eye with clear visual priorities
The five levels →Using empty space as active design element, not waste
The five levels →Font selection, harmony, and suitability for content and audience
The five levels →Selecting harmonious color palette expressing identity or message
The five levels →Unifying visual elements throughout design to create cohesive identity
The five levels →Aligning element positions to a grid and alignment lines that give the design order
The five levels →Using differences in size, color, and weight to build distinction and focus
The five levels →Distributing the visual weight of elements so the design settles without tilt
The five levels →Grouping related elements and separating unrelated ones to clarify relationships
The five levels →The relationship among element sizes and their fit to one another and to the space
The five levels →Designing symbols and icons understood instantly without explanation
The five levels →Ease of reading text in terms of size, spacing, and line length
The five levels →How well the design expresses the brand's personality, values, and audience
The five levels →Building rhythm through repetition and variation of elements that guide eye movement
The five levels →The design remaining cohesive and effective across different sizes and media
The five levels →Building text sizes on a consistent proportional scale that serves hierarchy instead of arbitrary sizes.
The five levels →Ensuring sufficient contrast between text and its background per WCAG so everyone can read it.
The five levels →Building a colour system with clear roles (primary/accent/neutral) that scales, not a random gathering of colours.
The five levels →Using a fixed spacing scale (4/8) and optically tuned spacing instead of arbitrary gaps.
The five levels →Correct connection and shaping of Arabic letters without breaking or distortion, with awareness of script and kashida as an aesthetic decision.
The five levels →Laying out right-to-left for Arabic content: direction, alignment, and mirroring of directional elements.
The five levels →Pairing an Arabic typeface with a Latin one so visual weight, x-height, and tone match.
The five levels →Handling Arabic diacritics so they read without crowding and serve clarity and beauty.
The five levels →Reducing a logo to the simplest form that stays legible and distinctive across sizes.
The five levels →