Public · no account
The Rubric Bank — with all five levels
234 written Arabic criteria, each with five anchors describing exactly what separates one level from the next. These are the same criteria your work is measured against — open to read before you pay anything.
Having your own work read against one criterion (optional):
Price: 7 SAR · Included in Pro & Artist Plus · First one free — Pricing details
29 criteria
Bringing out the cadence and meter latent in the Arabic text through delivery
The five levels →Aesthetic choices making product beautiful and desirable
The five levels →Quality of the product's surface treatment and texture, visually and tactilely
The five levels →Harmony of the product's colors and finish layers to serve its aesthetic unity
The five levels →Proportion of the product's parts and sizes to create a balanced, beautiful form
The five levels →Drawing on a craft heritage or local identity authentically without appropriation or kitsch
The five levels →The cleanliness of the work's last five percent: surface, edges, finishing — what separates the amateur from the maker.
The five levels →Conformance of Islamic ornament / Sadu to its geometric rules: the grid, closing repetition, star symmetry.
The five levels →The form serving its declared function, or a clear decorative intent, without ornament feigning a function it can't perform.
The five levels →Whether the critic explicitly distinguishes between what is personal taste preference and what is judgment grounded in a general, defensible artistic standard
The five levels →Whether the critique fairly discusses the work's strengths and weaknesses, rather than swinging to unqualified praise or unqualified condemnation
The five levels →Color selection, harmony, and use to serve subject and mood
The five levels →Ability to choose details that serve the work and remove what distracts
The five levels →Personal visual fingerprint distinguishing the work from others
The five levels →Using empty space as active design element, not waste
The five levels →Font selection, harmony, and suitability for content and audience
The five levels →Selecting harmonious color palette expressing identity or message
The five levels →Distributing the visual weight of elements so the design settles without tilt
The five levels →The relationship among element sizes and their fit to one another and to the space
The five levels →How well the design expresses the brand's personality, values, and audience
The five levels →Building a colour system with clear roles (primary/accent/neutral) that scales, not a random gathering of colours.
The five levels →Pairing an Arabic typeface with a Latin one so visual weight, x-height, and tone match.
The five levels →Handling Arabic diacritics so they read without crowding and serve clarity and beauty.
The five levels →Using empty space around the subject to give it weight and breathing room
The five levels →