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The Rubric Bank — with all five levels
234 written Arabic criteria, each with five anchors describing exactly what separates one level from the next. These are the same criteria your work is measured against — open to read before you pay anything.
Having your own work read against one criterion (optional):
Price: 7 SAR · Included in Pro & Artist Plus · First one free — Pricing details
40 criteria
Choosing materials appropriate to product and ensuring their quality
The five levels →Executing product with precision and attention to detail
The five levels →Quality of product's final appearance and concealing manufacturing flaws
The five levels →Adhering to planned dimensions and measurements
The five levels →Aesthetic choices making product beautiful and desirable
The five levels →The product performing its intended function efficiently and comfortably
The five levels →The product's ability to withstand use and time without damage
The five levels →Quality of the product's surface treatment and texture, visually and tactilely
The five levels →Harmony of the product's colors and finish layers to serve its aesthetic unity
The five levels →Quality of joining the product's parts and concealing or intentionally revealing joints
The five levels →Proportion of the product's parts and sizes to create a balanced, beautiful form
The five levels →Offering a solution or design that sets the product apart from the market's repetition
The five levels →Unifying recurring details across the product to show coherent mastery
The five levels →Designing the product to fit the user's body and motion comfortably
The five levels →Drawing on a craft heritage or local identity authentically without appropriation or kitsch
The five levels →Tight joints and a piece that holds functionally: the joint bears load, the vessel doesn't leak, the structure doesn't loosen.
The five levels →The cleanliness of the work's last five percent: surface, edges, finishing — what separates the amateur from the maker.
The five levels →Discipline of axes, measurements, and repetition; intended symmetry or its intended breaking.
The five levels →Conformance of Islamic ornament / Sadu to its geometric rules: the grid, closing repetition, star symmetry.
The five levels →Quality and honesty of documenting the making stages and the soundness of their craft sequence, not the result alone.
The five levels →Treating the material per its nature: wood expands, clay shrinks, metal expands with heat, thread tensions to a limit.
The five levels →The form serving its declared function, or a clear decorative intent, without ornament feigning a function it can't perform.
The five levels →Centring the clay mass steadily on the axis before forming — the base of every balanced ceramic piece.
The five levels →Even wall thickness from base to rim, a sign of control and material efficiency.
The five levels →